They’ll also need to be a master communicator to reign in a production crew when the vision becomes too grand. In many cases, the line producer needs to be a salesperson, securing more money from the studio when it makes sense to do so. Those two sides of the same coin don’t always see eye to eye. These parameters can be set before pre-production meetings or changed during shooting or even post-production. In that case, a line producer needs to be able to work with a director to get him what he needs. For the studio or film producer, a good movie is one that makes a lot of money, so a line producer needs to be able to manage the budget.įor the director, cast, and crew, a good movie is one that moves their audiences, bringing an artistic vision to life. Everybody wants to be part of a good film, television series, or other visual production, but that definition can change depending on who’s being asked. The line producer’s job can be a tricky one at times. They are essentially the line of communication between the two entities. They will typically work as the direct line between the studio executives and department heads on set. The line producer is usually one of the first people who will get involved with a film production and ultimately is one of the most important as well.
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